
Her husband Bert Ruiter (yes, the same one who played bass on Focus during their heydays in the 70?s) plays here, but clearly the musical director of the entire disc is ex Kayak and once Camel keyboardist Ton Scherpenzeel. His synths are featured on all tracks, although guitarrist Age Kat does some nice work here and there too. Kaagman?s voice is on top form here proving once and for all that she is one of rock?s most underrated singers. While it is obvious that some tracks are better than others, they are all of high quality (with the exception of the aforementioned Incognito). I don?t know if this album was a hit, but it should. For it contains at least two sure top ten hits in the form of the opener Good Enough (very much in the vein of Phil Collins early stuff) and the beautiful ballad Keep On Missing You. The different Streets Of Shame and the uplifiting Winds Of Change are also highlights. Productioon is excellent too.
Paraphrasing my good friend and PA colleague KennethLevine, I can say that while this phoenix may not be exactly the progressive rock bird we have expected, what arose from the ashes of the group is still a very nice creature, with much more personality and quality than its forrmer old self from the early 80?s.
Rating: excellent pop rock album. A nice surprise after so much disapointment. For PA, 3 stars.
Tarcisio Moura | 3/5 |
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